Chloe

14 Apr

Title: Chloe
Year: 2009
Director: Atom Egoyan
Writer: Erin Cressida Wilson, based on the film Nathalie… written by Anne Fontaine
Starring: Julianne Moore, Liam Neeson, Amanda Seyfried, Nina Dobrev, Max Thieriot
MPAA Rating: R, strong sexual content including graphic dialogue, nudity and language
Runtime: 96 min
Major Awards:
IMDb Rating: 7.1
Rotten Tomatoes: 52%

Some critics haven’t received Chloe, the remake of the 2003 french film Nathalie…, that well, claiming that it doesn’t deliver the thrills it promises and falls into clichés of the sexual thriller genre, I personally loved the film, especially because it showcases three fabulous actors who I love, especially Amanda Seyfried, who was convinced to take the titular role by executive producer Jason Reitman.

Atom Egoyan is outstanding in directing Chloe, the film in which a woman, played by Julianne Moore, sees a girl outside her office window who looks and acts like a super fancy call girl, then she finds a photograph on her husband’s phone that she finds suspicious, goes back to where she first saw the girl, makes eye contact with her and starts taking to her in the powder room. The girl, played by a wonderful Amanda Seyfried, is wonderfully nonchalant when she tells her women are not usually her clients.

Amanda Seyfried is a young actress I’m completely nuts over, one of my Hollywood crushes if you will, but still, crush and bias aside she’s still a terrific actress and how she plays Chloe is superb, this is a character that obviously has personal motives to do what she does, but those aren’t apparent, and that’s what fuels this incredibly complex film because it’s not so much about actually doing something, as much as it is about thinking about doing it.

The plot after the initial scene I just described goes like this: Catherine, the Julianne Moore character, tells Chloe, who’s actually quite smart aside from her obvious beauty, that she suspects her husband of being adulterous and wants her to try and seduce him as an apparent test of her husband’s fidelity, or lack thereof.

The psychology behind it all is great, how Chloe, showing how smart she actually is, doesn’t sell her body, that’s for cheap whores, but instead uses her intelligence to work her clients and find out what it is what they really desire first, and then giving it to them, in a way that, whether they want it or not, they’ll be tempted to take. She meets David, the husband, at the place where he usually has lunch, a tip given by Catherine. And she tells Catherine what she says she found out.

I would go on describing the rest of the story, but I’ve decided I won’t, if you have read anything about the film you’ll probably already know there’s an sapphic scene between Moore and Seyfried, but the thing is the film is incredibly complex, more than just the sex bits, and it’s a treat to really enjoy and figure out as you go, this is a film about a young girl, wise beyond her years, who knows how to psychologically control people and enjoys it, it’s a film about Chloe’s real motives and what moves her and her way of thinking, and it’s truly fascinating to watch how Egoyan delves into this.

This is a serious mindtrip more than it is a thriller, it’s about the complexities of love, I would say, it raises a lot of questions about the titular character and it raises a lot of questions about the questions this character asks, and yes, it tells this tale and asks this questions in a sexual manner, but there’s really no other way this could have been told to illustrate it properly, and it helps it has Neeson performing his role as a true enigma at such a high level, this was, after all, the film he was shooting when he found out about his wife’s unfortunate death, it also has Moore in a great part, but then again Moore never disappointed, and Seyfried going deep into the intelligent, complex and beautiful Chloe.

Grade: B+

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