Oscar Predictions: Original Song and Score

24 Feb

In my fourth Oscar Predictions post we will take a look at both of the musical categories, those for Best Original Song and Best Original Score.

BEST ORIGINAL SONG

Nominees

  • “Coming Home” from Country Strong (Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey)
  • “I See the Light” from Tangled (Music by Alan Menken; Lyric by Glenn Slater)
  • “If I Rise” from 127 Hours (Music by A.R. Rahman; Lyric by Dido and Rollo Armstrong)
  • “We Belong Together” from Toy Story 3 (Music and Lyric by Randy Newman)

My personal pick here would by the Country Strong song, if only because I’m pretty much in love with Gwyneth Paltrow and her voice. However, the race here is probably between “If I Rise” or “We Belong Together”.

A.R. Rahman won both Original Song and Original Score when he was nominated two years ago for his other collaboration on a Danny Boyle film with Slumdog Millionaire, and while the song is fantastic, and features pretty good vocals by Dido (though on the televised broadcast her part will be sung by the even more awesome Florence Welch), my hunch is that the Academy will go with Randy Newman’s tune, who has been nominated 20 times but won only once.

Should Win: Country Strong
Will Win: Toy Story 3

BEST ORIGINAL SCORE

Nominees

  • How to Train Your Dragon (John Powell)
  • Inception (Hans Zimmer)
  • The King’s Speech (Alexandre Desplat)
  • 127 Hours (A.R. Rahman)
  • The Social Network (Trent Reznor and Atticus Ross)

All five nominees here did superb work that was really felt in their films and that elevated their overall quality. However, this category is one of those battles between The King’s Speech and The Social Network. Even though I can see why the Academy may want to reward Alexandre Desplat, who’s competing on his fourth nomination with no prior wins, and who really communicated the unspoken emotions of the King with his beautiful score I think, and really hope, they will go on the other direction.

Atticus Ross and NIN mastermind Trent Reznor should win for the mesmerizing score they created for David Fincher’s latest. It’s their music, I think, that had the biggest impact on any film this year, how those very unique and different sounds punctuated every bit of action on-screen was truly spectacular, and even if Sunday turns into a sweep by The King’s Speech I think they should walk away with this one.

Should Win: The Social Network
Will Win: The Social Network

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