Tag Archives: Alex Garland

[Review] – Dredd 3D

3 Oct

Title: Dredd 3D
Year: 2012
Director: Pete Travis
Writer: Alex Garland, based on the characters by John Wagner and Carlos Ezquerra
Starring: Karl Urban, Olivia Thirlby, Lena Headey, Wood Harris, Domhnall Gleeson
MPAA Rating: R, strong bloody violence, language, drug use and some sexual content
Runtime: 95 min
IMDb Rating: 7.8
Rotten Tomatoes: 77%
Metacritic: 59

Back in 1995 a film called Judge Dredd came out, based on the long-running comic strip that runs in the British sci-fi anthology magazine 2000 AD. It starred Sylvester Stallone as the titular character in the wasteland that becomes Earth a millennium from now, where people live in these mega-cities because they can’t live elsewhere and because you have these Judges that act as judge, jury and executioner. The film, by the way, is absolutely horrible, so to have another film come out based on the same property seemed really pointless to me.

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[Trailer] – Dredd

21 Jun

Watch the first trailer for Dredd after the cut. I repeat, this is a trailer for Dredd, not The Raid.

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OscarWatch: Best Screenplay

21 Jan

Since the Academy Award nominations will be announced bright and early Tuesday morning (!) I thought I’d do seven OscarWatch posts for the main races: Screenplay (encompassing both Original and Adapted), Supporting Actor, Supporting Actress, Lead Actor, Lead Actress, Director and Picture.

In them I’ll detail my thoughts on the given race and how I think things are starting to shape up considering we have now seen most of the precursor awards and count with BAFTA and SAG nominations. I’ll give my personal Top 20, with a brief paragraph on each, for any given race and detail which I think will be the nominees for the Oscars come Tuesday. And we’re kicking things off with…

BEST SCREENPLAY

I’ll give my Top 20 screenplays of the year, though I won’t divide them between original or adapted screenplays, my brief thoughts on each and then how I think the two screenplay races may look this Tuesday, in no particular order.

As for the state of this race, I think the winner in the Best Adapted looks clear, and by this of course I mean The Social Network. Aaron Sorkin has been unstoppable thus far and he should continue his reign come the Academy Awards. And if someone can stop it then I’d say it probably would be Michael Arndt for Toy Story 3, but that won’t really happen.

As for the Best Original Screenplay race, things aren’t so clear-cut here to me. This one is a three-way race between Inception, The King’s Speech and The Kids Are All Right to me. If The King’s Speech ends up winning Best Picture then it’ll get this one, though it may still get it regardless. If the Academy wants to finally reward Christopher Nolan then they’ll do it in this category. And if neither of those scenarios happens then it’s The Kids Are All Right. Really really tough one to call, though, we’ll just have to wait and see who wins the WGA.

Personal Top 20:

  1. The Social Network (written by Aaron Sorkin, based on the book by Ben Mezrich) – My second favorite film of the year had by far my favorite screenplay of the year. Written by Aaron Sorkin in his typical witty and fast-paced talky style this one was amazing.
  2. The Kids Are All Right (written by Lisa Cholodenko and Stuart Blumberg) – This is a film with a lot of stand-out scenes, and while a lot of that is because of the amazing acting it has on display, it also has to do with just how impeccable the writing is.
  3. Toy Story 3 (written by Michael Arndt, based on the story by John Lasseter, Andrew Stanton and Lee Unkrich) – When you talk to people about this film, male or female, eight or eighty, they’ll all tell you they loved it, and most will also tell you they cried. That’s a testament to fine script Michael Arndt crafted for Pixar’s latest.
  4. Black Swan (written by Mark Heyman, Andres Heinz and John J. McLaughlin, based on the story by Andres Heinz) – My favorite film of the year should definitely get nominated for an Academy Award for it’s intriguing and hypnotizing script which creates this mesmerizing tension that translated so beautifully to the screen.
  5. Inception (written by Christopher Nolan) – The year’s most mind-challenging film was written to perfection by its director. And it had to be for us to be able to follow the intricate plot and structure. For him to have been able to introduce so much character development considering how much was going on is a testament to his writing skills.
  6. Winter’s Bone (written by Debra Granik and Anne Rosellini, based on the novel by Daniel Woodrell) – I thought Winter’s Bone was a remarkable film, and the job it did at capturing to perfection the mood of its source material was tremendous.
  7. Blue Valentine (written by Derek Cianfrance, Cami Delavigne and Joey Curtis) – Much like the film itself, this is a tough script, and a very original one, too. Grounded on some very raw emotions, this is just a very powerful screenplay, which, unfortunately, I don’t think will get much awards recognition.
  8. Somewhere (written by Sofia Coppola) – I may be biased here because of my undying love for Sofia Coppola, but I still really do think Somewhere has a beautiful script. I know many will say that that’s not really the case, because the script is really short and quiet, but what’s there is magic, just see the film if you don’t believe me.
  9. The King’s Speech (written by David Seidler) – David Seidler gets the trifecta of biopic scripts here. He makes it both informing about its historical figure, while still very moving and appealing to the masses.
  10. Rabbit Hole (written by David Lindsay-Abaire, based on his own play) – Adapting such a beautiful play was going to be a difficult task. Unless you were the one who wrote the play to begin with. David Lindsay-Abaire transfers perfectly the feel and mood of his Pulitzer-winning play from stage to screen.
  11. The Fighter (written by Scott Silver, Paul Tamasy and Eric Johnson, based on the story by Paul Tamasy, Eric Johnson and Keith Dorrington) – This is one very effective script, the writers took elements we’re all extremely familiarized with, and made them feel new and fresh within this real-life story.
  12. Never Let Me Go (written by Alex Garland, based on the novel by Kazuo Ishiguro) – My vote for the most under-appreciated film of all 2010. The screenplay by Alex Garland is moving and perfectly captures the dystopian atmosphere of the Kazuo Ishiguro novel.
  13. Another Year (written by Mike Leigh) – Mike Leigh’s at it again with this film, continuing his perfect observation of human psychology in a terrific film which explores the everyday lives of middle-class English people like only he can.
  14. 127 Hours (written by Danny Boyle and Simon Beaufoy, based on the book by Aron Ralston) – This one very compelling script, of course aided by the fact that they had Aron Ralston, the movie’s subject, on hand to ask questions to. The power of the film, in which we remain with one person in one place for the majority of its duration comes not only from the great direction and acting, but also from this very good screenplay.
  15. The Town (written by Peter Craig, Ben Affleck and Aaron Stockard, based on the novel by Chuck Hogan) – This was actually a pretty damn amazing film, and Ben Affleck, as we know, already has an Oscar for writing Good Will Hunting with Matt Damon. Here he’s joined by two other writers and creates a great film that never uses any cheap tricks or clichés and that always feels extremely entertaining.
  16. True Grit (written by Joel Coen and Ethan Coen, based on the novel by Charles Portis) – The Coen brothers are amazing at adapting this novel and making it their own. The vocabulary fits well with their trademark sense of humor, and they do wonders with that language in this one.
  17. Scott Pilgrim vs. the World (written by Michael Bacall and Edgar Wright, based on the graphic novels by Bryan Lee O’Malley) – I’m a huge fan of the Scott Pilgrim novels, and as such I didn’t knew what to expect of the film that tried to encompass those precious little volumes into a film. I had to nothing to worry about, though, because the result was a superbly fun film, written to perfection by Edgar Wright, the graphic novels’ fanboy and film’s director, and Michael Bacall.
  18. Greenberg (written by Noah Baumbach, based on the story by himself and Jennifer Jason Leigh) – I’m a huge fan of every single letter, comma and any other splash of ink Noah Baumbach writes, and Greenberg is no exception. This is an amazing story here, full of very good lines (“Youth is wasted on the young”, says Ivan. To which Greenberg replies: “I’d go further. I’d go: Life is wasted on people”).
  19. Get Him to the Greek (written by Nichollas Stoller, based on the characters created by Jason Segel) – The year’s funniest script, the amount of amazing one-liners this one has is ridiculous. Just go light up a Jeffrey, or drink up some naughty water, or something, because you’re about to get your mind fucked.
  20. Get Low (written by Chris Provenzano and C. Gaby Mitchell, based on a story by Chris Provenzano and Scott Seeke) – There were some four or five films competing for my final slot in this Top 20, but I thought Get Low was the worthiest entry, there is some very fine writing on display here as well as a very original premise. It also helps its case that the words were uttered by top-notch actors.

How I Think the Oscar Nominations Will Look Like (in alphabetical order) – Best Original Screenplay

  • Black Swan (written by Mark Heyman, Andres Heinz and John J. McLaughlin)
  • The Fighter (written by Scott Silver, Paul Tamasy and Eric Johnson)
  • Inception (written by Christopher Nolan)
  • The Kids Are All Right (written by Lisa Cholodenko and Stuart Blumberg)
  • The King’s Speech (written by David Seidler)

This would be, in my opinion, a very very solid field of nominees. I think four of these slots are all sewn up, with the fifth slot being a battle between The Fighter and Another Year. Who gets that final nod will be decided by how much love those films get, and as such, I’m guessing The Fighter will prevail.

How I Think the Oscar Nominations Will Look Like (in alphabetical order) – Best Adapted Screenplay

  • 127 Hours (written by Danny Boyle and Simon Beaufoy, based on the book by Aron Ralston)
  • The Social Network (written by Aaron Sorkin, based on the book by Ben Mezrich)
  • The Town (written by Peter Craig, Ben Affleck and Aaron Stockard, based on the novel by Chuck Hogan)
  • Toy Story 3 (written by Michael Arndt, based on the story by John Lasseter, Andrew Stanton and Lee Unkrich)
  • True Grit (written by Joel Coen and Ethan Coen, based on the novel by Charles Portis)

I think The Social Network, Toy Story 3 and True Grit are all locks. 127 Hours I’d probably count in the same category, too. Which means there’s only one slot that, according to me, is up for grabs. I think  the Academy will give it to The Town, since they won’t recognize Ben Affleck in the director category (by an inch) and will have to give him something here, though I’m expecting some fight from the Winter’s Bone screenplay.

Never Let Me Go

6 Oct

Title: Never Let Me Go
Year: 2010
Director: Mark Romanek
Writer: Alex Garland, based on the novel by Kazuo Ishiguro
Starring: Carey Mulligan, Andrew Garfield, Keira Knightley, Sally Hawkins, Charlotte Rampling
MPAA Rating: R, some sexuality and nudity
Runtime: 103 min
Major Awards:
IMDb Rating: 7.4
Rotten Tomatoes: 62%

When I saw Never Let Me Go I had some supreme expectations going in, and let me just take a moment and state why that was. Firstly, this was an adaptation of the Kazuo Ishiguro novel which I personally love and have always thought would be quite difficult to effectively translate onto the screen. Secondly, the director is Mark Romanek who has only done two other films to date, one was Static in 1985, which I haven’t actually seen, but the other was 2002’s One Hour Photo, which I found to be surprisingly good, not to mention that the guy has directed some of the best music videos of the past two decades. And then, we come to the three stars of the film, the two ladies are two of the most promising young actresses of the past decade, both are 25 years-old and already have one Oscar nomination under their belts, Ms. Knightley for Pride & Prejudice and Ms. Mulligan, who I have a huge crush on, for her star-making turn last year’s sublime An Education. As for the male lead, Mr. Garfield, he is poised to go down as one of the most promising male actors of this decade, with his turn in this film and The Social Network making him one of the most talked-about newcomers this year, and his upcoming role as the new face of Spider-Man surely making him a household name in the coming years. So yeah, expectations were running high with this one.

And Mr. Romanek and his amazing cast completely outdid those expectations for me, since Never Let Me Go will surely go down as one of my favorite films of the year. I thought it completely captured the essence of the Ishiguro novel, and had three top-notch performances from its leads, just really the sort of film that stimulates me thoroughly, and has me leaving the theatre with a smile on my face, and writing this knowing this one’s deserving from my top grade, and then some.

We are introduced to this society, in which humans are cloned as children, only to serve as organ donors later on in life. That is their sole purpose, to grow parts that will then be cut off them and given to someone who needs it, and then die once too much has been taken away from them. The dystopian mood and environment created in the novel translated beautifully into the film thanks to Mr. Romanek, who creates this world perfectly. These are children that live in a closeted environment, protected from the outside world and its values, and just raised to donate, being esteemed by the others depending on how much and how successfully they had donated. These are kids after all, they will believe everything the world feeds them and live by it without questioning it so long as they can’t see an opposing argument, and in the world they live it, there is none of that.

The three kids we meet, first when they are young and later when they are in their mid-twenties, are Kathy, Ruth and Tommy, the characters of Ms. Mulligan, Ms. Knightley and Mr. Garfield, respectively, and they all were raised at Hailsham, a donor boarding school which does treat the kids as human beings and not just merely as objects from which to get organs, a more experimental institution ,if you will.

The story isn’t some sort of social commentary or science-fiction epic, it could be both of those things easily enough, and it certainly has elements from those things here and there, but it’s about something much simpler, something much more human. And that’s what’s so amazing about Never Let Me Go, and one of the reasons why I now regard it as one of the best book-to-screen adaptations ever, because it manages to mix those two aspects of the story ever so masterfully, this is a film that, much like the novel it’s based on, touches the mind with its philosophical issues, but also gets to your heart with the human side of the story being told. A rare feat to do at all, and an even more amazing one to do with such level of skill.

Everything about Never Let Me Go is pretty much perfect. The performances are exquisite, Ms. Mulligan’s I thought was especially exceptional, and, though I doubt it’ll ultimately happen, were it up to me she’d most certainly get her second consecutive Oscar nomination for this. But it’s not only the performances that make this film so great, everything else about it contributes to that, the lighting, the colors, this is just a gorgeous film and credit must go to Mr. Romanek, who managed to get that perfect blend from the  heavily structured sci-fi aspect of the story with the more melancholically-toned romance part of it, this is a guy who should seriously make more films.

This film is genius, and I feel like I’m going on and on about that in here, but it just is. It won’t go down as my favorite movie of the year, as it is Inception is already ranked higher than this one on my personal list, and I’m sure that by the end of the year a few more will go before it on my year-end list, but there was just something about this one that got to me. Maybe it’s the fact that I love when films get a favorite novel of mine so expertly right, maybe it’s the more simple reason that I just love seeing Ms. Mulligan shining as brightly as she does here, I don’t know, I just loved this experience.

I loved how gracefully this was all done, a film that just thoroughly sucks you into its world with three amazing performances and a beautiful overall tonality. This is a film that does indeed demand quite a bit of emotional investment from its audience to fully appreciate it as the masterful work it is, and the emotional investment is so large that I wouldn’t be surprised to hear people say they found it too heavy and didn’t love it, but I urge you to go along with everything this throws at you, to be open to it and let it suck you in, because, trust me, the end result is more than worth it.

Grade: A+