Tag Archives: John Lithgow

[Review] – This Is 40

6 Jan

This Is 40

Title: This Is 40
Year: 2012
Director: Judd Apatow
Writer: Judd Apatow, based on characters by himself
Starring: Paul Rudd, Leslie Mann, John Lithgow, Megan Fox, Albert Brooks, Maude Apatow, Iris Apatow, Jason Segel, Charlyne Yi, Tim Bagley, Melissa McCarthy, Lena Dunham, Chris O’Dowd, Rob Smigel, Annie Mumolo
MPAA Rating: R, sexual content, crude humor, pervasive language and some drug material
Runtime: 134 min
IMDb Rating: 6.4
Rotten Tomatoes: 50%
Metacritic: 58

I am, like so many others, a devout member of the church of Judd Apatow. What the man has done to change the comedic landscape of our time during the last decade or so really is amazing. From having his hand in some of the most adored cult TV shows in recent memory, from The Ben Stiller Show to The Larry Sanders Show to, of course, the short-lived masterpiece that was Freaks and Geeks, to revolutionizing comedy in the mid 00’s with films like The 40-Year-Old Virgin, Knocked Up and Superbad.

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[Review] – The Campaign

28 Aug

Title: The Campaign
Year: 2012
Director: Jay Roach
Writers: Chris Henchy and Shawn Harwell, based on a story by Mr. Henchy, Mr. Harwell and Adam McKay
Starring: Will Ferrell, Zach Galifianakis, Jason Sudeikis, Katherine LaNasa, Dylan McDermott, John Lithgow, Dan Aykroyd, Brian Cox
MPAA Rating: R, crude sexual content, language and brief nudity
Runtime: 85 min
IMDb Rating: 6.4
Rotten Tomatoes: 66%
Metacritic: 49

Jay Roach is a director who has dabbled in two very different kinds of films along his career. On the one hand, the guy’s been responsible for some pretty successful comedies, most of them R-rated affairs, that include all three Austin Powers movies. Yet on the other hand, the guy’s made two films for HBO that are dramas about political elections, 2008’s Recount, about the 2000 Presidential election, which won him an Emmy for his direction, and this year’s Game Change, about the 2008 Presidential election, which sees him as the front-runner to take that Emmy again once the awards take place next month.

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[Trailer] – This Is 40

7 Aug

A few months ago we got the first trailer for This is 40, the new film directed by Judd Apatow, the “sort-of” sequel to his Knocked Up. Now, a second trailer for the film is out, which you can watch after the cut.

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[Trailer] – The Campaign

11 May

 

Jay Roach has directed some comedies in his life, all three Austin Powers films among them, but he’s also directed political films for HBO like Recount (for which he won an Emmy) and the upcoming Game Change. Well, in his latest film, The Campaign, he’s marrying both comedy and politics, and you can check out the first trailer for it after the cut.

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[Trailer] – This Is 40

27 Apr

Judd Apatow is back in the director’s chair this year for the first time since 2009’s Funny People (which was a bit of a flop, though I personally liked it). But anyway’s, the film he has lined up for this year, This Is 40, is a “sort-of” sequel to his great Knocked Up, and the first trailer for it has just been released, and you can watch it after the cut.

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Rise of the Planet of the Apes

1 Sep

Title: Rise of the Planet of the Apes
Year: 
2011
Director: 
Rupert Wyatt
Writers: Rick Jaffa and Amanda Silver, based on a premise suggested by the novel by Pierre Boulle
Starring: 
Andy Serkis, James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton
MPAA Rating: 
PG-13, intense and frightening sequences of action and violence
Runtime: 
105 min
Major Awards: –

IMDb Rating: 
7.9
Rotten Tomatoes: 
83%

 

My level of expectations for Rise of the Planet of the Apes has been sort of like a rollercoaster ride ever since the film was announced, with more lows than highs. I mean, I’m a huge fan of the original franchise, which is a must for every sci-fi geek out there and spawned five movies from the early 60’s to the early 70’s, but the 2001 remake spearheaded by Tim Burton and starring Mark Wahlberg did absolutely nothing for me and I think we would have been better off without it. So my feelings toward yet another stab at reviving the series were ambivalent at best. However, this film was meant to be more of a reboot than a remake, with director Rupert Wyatt stating that it was meant to satisfy old fans but also to bring in some new ones, much like Christopher Nolan did with Batman Begins, so I thought that was a much more reasonable approach, but still wasn’t sold on it, not even close.

As the talent started assembling, though, there wasn’t really much for me to get seriously excited about. I mean, the director was Rupert Wyatt, who’s debut film was 2009’s The Escapist, which was a rather smart prison break film which showed the guy certainly had some chops, but many directors have surprised with a small solid debut only to then crumble when given a big Hollywood studio budget for their second outing. The team of writers had my hopes in a huge downfall, as Amanda Silver and Rick Jaffa had done only two other films prior to this one, and they were both done some fifteen years ago, one was Eye for an Eye, a very crappy thriller with Sally Fields, and the other was The Relic, an only slightly better horror thriller with sci-fi qualities. So yeah, not much to go on with the director and writers, I was seriously worried. The cast was led by James Franco, which was of course coming out of his Oscar-nominated turn in the masterful 127 Hours (though also out of the decidedly disappointing Your Highness, not to mention his horrid role as the latest Oscars host), and co-starred Freida Pinto, John Lithgow, Brian Cox and Tom Felton in his first post-Harry Potter role, which are all good but certainly not bulletproof.

However, there was a light at the end of the tunnel though, and that was Weta Digital was doing the special effects on the apes using their performance capture technology, anchored by the genius Andy Serkis, the pioneer in that technology. That gave me hope, but even though the apes seemed awesome when the first trailers and clips started arriving, I thought the acting looked horrible and we were in for a very mediocre end-of-summer film. However, the reviews that came out were quite positive, and my friends who have seen were all raving about it, so that had to count for something. And I have given this long rundown about how I wasn’t really expecting much from this film only because I like nothing better than being proven wrong when it’s for the best, which was certainly the case here as Rise of the Planet of the Apes is a truly outstanding film which actually stands as not only one the summer’s best blockbusters, but one of the year’s best films overall.

The direction by Mr. Wyatt is just incredible, full of visual flare that gives this film a tremendous style that benefits its intentions and really warrants for a full-on franchise revival, the script was actually pretty damn efficient for what it was trying to do, and the performances were all solid, though none of them really shined. And it’s fine that there was no real stand-out performances, because Mr. Serkis as the ape Caesar totally stole the show. And if you have heard all the discussion about there being an option for a motion capture performance to get an Oscar nomination because of what Mr. Serkis did here, all I can say is that it’s a discussion worth having, because the fact that we can connect so much with Caesar is all thanks to the outstanding job of the man who was on-hand at the birth of this technology and has since perfected its use.

Seriously, this is so much more than your usual blockbuster cash-grab, because it feels like it doesn’t have the volume and limitations of them, it’s just a summer blockbuster that’s thoroughly fun, but then again many of them are, what really sets Rise of the Planet of the Apes apart is the fact that it’s also incredibly smart, and that’s very rare, a summer film made for mass consumption that manages to fully entertain while at the same time acknowledging your intelligence is something of a rarity these days. This is the film that answers the questions, that takes us back to the beginning to show us how it all started to go bad for us and great for them, and how they, well, rose.

We have this massive drug company where Mr. Franco’s character, Will, works developing a new drug that could cure Alzheimer’s. He of course tests it on apes, because that’s how these films go, and the apes’ intelligence starts gearing up like crazy as they develop all new sort of communicative skills to go with it. The ape goes mad at a board meeting, though, and the experiment is cancelled, a huge blow to Will, not only because he has invested over half a decade in its development, but because his own father is suffering from dementia. What happens next is that Will breaks the son of the ape he tested the drug on out of the lab, and that would be Caesar, and decides to raise him at home, where he has some of the drug that he’ll use to inject on both the ape and his father.

If you think you can tell where this all goes next, you may be right, but knowing doesn’t make it any less exhilarating, as Mr. Wyatt and his team of editors and cinematographers have managed to embed in this film a truly outstanding pacing and look, working with the geniuses over at Weta to craft a film in which you really can’t tell where reality ends and the effects begin, as the special effects team headed by Joe Leterri (a four-time Oscar winner for his work on the last two Lord of the Rings films as well as King Kong and Avatar) does a revolutionary job, including the first time performance capture has been achieved outside a sound stage, that will probably get him a fifth statuette.

At first I was wary of Rise of the Planet of the Apes, I will be the first to admit to that, and if you are as well I can only urge you to go see it because chances are you will be proven as wrong as I was. This is a sensationally well done film, from a script that was effective in crafting some real nice moments to reboot a franchise, with some stunning and stylish direction, human performances that were solid, and computer-generated ones that were unlike anything we have every seen before, especially that of Andy Serkis. You watch how he plays out the evolution of Caesar from a cuddly baby chimp to the ape boss that leads a revolution, you watch that, you watch how incredibly moving and convincing his facial expressions and body movements can be, you watch that, you watch that and then we can argue about the merits of a motion capture performance having no claim to be up for awards glory.

Grade: A-

Golden Globe Predictions

13 Jan

I still have four reviews left to do on 2010 films (namely: Blue Valentine, Biutiful, The Girl Who Kicked the Hornet’s Nest and Country Strong), but I’ve now seen all of the 2010 films I intend to see (210 in total) and thought that since I probably won’t do all four of those reviews in one swoop before the weekend I should do a post about my predictions for the Golden Globes, which are taking place this Sunday.

I’ll outline each category, list the nominees, do a brief parragraph about the state of the race and then pick the one I think is going to win, and the one I’d pick to win were the Globes up to me. And since I’m also an avid TV-watcher I’ll weigh in on those race, too.

BEST MOTION PICTURE – DRAMA

Nominees

  • Black Swan
  • The Fighter
  • Inception
  • The King’s Speech
  • The Social Network

State of the Race

Much like at the Oscar’s, one would think the big race is going to come down between The King’s Speech and The Social Network, and in all likelihood that’s what’s gonna happen at the Globes, too. However, don’t count The Fighter out of this one just yet, as it may ultimately deliver a huge upset and further establish itself as a real threat to the aforementioned two-pack come Oscar time, this is, after all, the same organisation that went with Babel in 2007, and with Atonement a year after that.

Who I Think Will Win

I’m guessing The Social Network here. It has pretty much swept through the precursor awards, and unless something bizarre happens then the Globe should be another trophy for its crowded mantelpiece, and a big stepping stone for the Oscar.

Who I Would Give the Globe To

If I ran the Globes then I would give the award to Black Swan, no questions asked. This to me was, far an out, the best film in all of 2010 and a true modern masterpiece.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

Nominees

  • Halle Berry for Frankie and Alice
  • Nicole Kidman for Rabbit Hole
  • Jennifer Lawrence for Winter’s Bone
  • Natalie Portman for Black Swan
  • Michelle Williams for Blue Valentine

State of the Race

Portman is thought to be a lock to win this one, and with good reason, she gives the best performance of her career in what, to me, was the best movie of the year, so she should no doubt get her second Globe (she has already won for Closer) and further cement herself as the leader of the pack come Oscar time. However, the Globes absolutely LOVE Nicole Kidman, having already bestowed three of their awards to her (To Die For in ’96, Moulin Rouge! in ’02 and The Hours in ’03) so that upset wouldn’t be that crazy.

Who I Think Will Win

Though the Kidman upset is something I could see happening this really is Portman’s to lose, and I don’t think she will.

Who I Would Give the Globe To

As I said, Ms. Portman delivers the best performance of her career in the best film of the year, so this should no doubt go to her. However, if by some reason she finds herself losing the award to Michelle Williams for Blue Valentine then I actually won’t be that pissed.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

Nominees

  • Jesse Eisenberg for The Social Network
  • Colin Firth for The King’s Speech
  • James Franco for 127 Hours
  • Ryan Gosling for Blue Valentine
  • Mark Wahlberg for The Fighter

State of the Race

Look, the Best Actor race, in the Globes, or the SAGs, or the Oscars or in any other precursor award is not really a race at all. If you’ve seen The King’s Speech then you know what I mean, Colin Firth gives a masterclass in acting in that movie, and he won’t find himself losing any of the big ones. If I had to pick a threat to his throne I’d say Jesse Eisenberg or James Franco, but I really don’t see that happening.

Who I Think Will Win

Colin Firth, no questions asked. The man has had an illustrious career, and here he tops himself delivering a truly unbelievable performance that should easily grant him his first Globe.

Who I Would Give the Globe To

Much like in the Best Actress race, I’ll say there’s no way I wouldn’t give it to Mr. Firth. However, if he should lose to Ryan Gosling for Blue Valentine, then I won’t be so pissed.

BEST MOTION PICTURE – COMEDY OR MUSICAL

Nominees

  • Alice in Wonderland
  • Burlesque
  • The Kids Are All Right
  • Red
  • The Tourist

State of the Race

This was the race that caused the most outrage when the nominations were announced. The quality of the films here, with the exception of the sublime The Kids Are All Right, is truly abysmal. Personally even, the grades I gave to the films are all over the place Alice in Wonderland got a B from me, Burlesque a C+, The Kids Are All Right an A+, Red a B and The Tourist a C+. Considering slots could have been filled with much worthier nominees such as Scott Pilgrim vs. the World, Greenberg, Easy A, Cyrus or Love and Other Drugs this is really shameful.

Who I Think Will Win

The Kids Are All Right will probably be an eventual Best Picture nominee at the Oscars, as well as player in some of the other big races, while the other films won’t even in any sort of contention for any major awards at the Oscars. So yes, it’s The Kids Are All Right all the way here. Though considering the Globes were stupid enough to nominate this bunch of films an upset could somehow happen.

Who I Would Give the Globe To

As I said, I gave The Kids Are All Right an A+, while no other nominee got even a B+. Enough said.

BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL

Nominees

  • Annette Bening for The Kids Are All Right
  • Anne Hathaway for Love and Other Drugs
  • Angelina Jolie for The Tourist
  • Julianne Moore for The Kids Are All Right
  • Emma Stone for Easy A

State of the Race

With the exception of Angelina Jolie this race did have some worthy nominees. But considering the Best Actress race at the Oscars is thought to be a battle between Natalie Portman and Ms. Bening and the former isn’t in this race then I’d say the latter has this one in the bag.

Who I Think Will Win

Annette Bening, hands down. And I really don’t see any of the other nominees delivering an upset.

Who I Would Give the Globe To

And, again, Annette Bening, no question.

BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL

Nominees

  • Johnny Depp for Alice in Wonderland
  • Johnny Depp for The Tourist
  • Paul Giamatti for Barney’s Vision
  • Jake Gyllenhaal for Love and Other Drugs
  • Kevin Spacey for Casino Jack

State of the Race

This is another race I really don’t understand. The HFPA obviously loves Johnny Depp (as we all do) but a single nomination would have done, especially considering that The Tourist was horrible and that nod could have gone to a much more deserving Ben Stiller for Greenberg.

Who I Think Will Win

If the HFPA loved him enough to nominate him twice for two sub-par performances considering what he’s done in the past, then I’d say they’ll love him enough again to actually give him the damned award for Alice in Wonderland.

Who I Would Give the Globe To

I actually haven’t seen Barney’s Vision yet, but my guess is that Paul Giamatti would be a deserving winner. My pick, however, would most certainly be Jake Gyllenhaal for Love and Other Drugs, a film I thought was rather underappreciated.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE

Nominees

  • Amy Adams for The Fighter
  • Helena Bonham Carter for The King’s Speech
  • Mila Kunis for Black Swan
  • Melissa Leo for The Fighter
  • Jacki Weaver for Animal Kingdom

State of the Race

The Best Supporting Actress race to me has been by far the toughest one to call throughout the whole season, as it’s full of equally deserving and amazing performances. I could genuinely see any of these five ladies winning the Globe and thinking they earned it. Just a very very tough one to call.

Who I Think Will Win

My guess is that it’ll come down between the two ladies of The Fighter. And with good reason since they’re both unbelievable in it. Melissa Leo has the flashier role and is loved by everyone in Hollywood, so she’d be the more conventional pick. But I’m biased towards Ms. Adams because I love her and actually thought she was better in it, so I’ll go ahead and bet on her.

Who I Would Give the Globe To

As I just said, Amy Adams I thought was amazing in The Fighter, but if I had to power to pick whichever one I wanted I probably would have to go with Mila Kunis, just because in a dream world Black Swan would sweep with everything.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE

Nominees

  • Christian Bale for The Fighter
  • Michael Douglas for Wall Street: Money Never Sleeps
  • Andrew Garfield for The Social Network
  • Jeremy Renner for The Town
  • Geoffrey Rush for The King’s Speech

State of the Race

The usual suspects here, and my guess is that at least four of them will repeat with an Oscar nomination. Michael Douglas is the one I think may not get an Oscar nomination, in favor of probably Mark Ruffalo or John Hawkes, but he got in with the Globes because they adore him. Though the race was once thought to be a head-to-head between Christian Bale and Geoffrey Rush the latest precursors have cemented Mr. Bale as the clear leader in the race.

Who I Think Will Win

Christian Bale should win this one easily, his was a knockout performance and I don’t see even Mr. Rush beating him. However, as I said, the HFPA loves Michael Douglas, and considering how much he’s gone through lately a win from him here wouldn’t be that out of the blue, though ultimately it’s still quite unlikely.

Who I Would Give the Globe To

I guess I’d give it to Bale, as well. Not only because his performance was terrific but because he’s due some recognition for his work, which he really hasn’t gotten in the past. Though a part of me would love to see Andrew Garfield winning this one.

BEST ANIMATED FEATURE FILM

Nominees

  • Despicable Me
  • How to Train Your Dragon
  • L’Illusionniste
  • Tangled
  • Toy Story 3

State of the Race

The state of the race with the Animated Film category is that it’s never really been a race. Toy Story 3 had this one in the bag the second it came out.

Who I Think Will Win

Again, this isn’t even a question. Toy Story 3.

Who I Would Give the Globe To

These are actually all very good animated films, but none comes close to achieve what the geniuses at Pixar did with Toy Story 3.

BEST FOREIGN LANGUAGE FILM

Nominees

  • Biutiful from Mexico and Spain
  • Le Concert from France
  • The Edge from Russia
  • Io Sono l’Amore from Italy
  • In a Better World from Denmark

State of the Race

To be honest I haven’t seen neither The Edge nor In a Better World, so I can’t really comment fairly in this race. However, Biutiful was such a knockout film to me, that I can’t see it losing. Though I0 Sono l’Amore would also be a worthy adversary.

Who I Think Will Win

I’m hoping Biutiful. However, maybe the film was a bit too tough and raw for voters to see in its entirety, or at all, and that may sway them in another direction.

Who I Would Give the Globe To

Biutiful. One of the most powerful films to have come out in all 2010.

BEST DIRECTOR – MOTION PICTURE

Nominees

  • Darren Aronofsky for Black Swan
  • David Fincher for The Social Network
  • Tom Hooper for The King’s Speech
  • Christopher Nolan for Inception
  • David O. Russell for The Fighter

State of the Race

The Best Director race seems to be a six-way race, with Joel & Ethan Coen for True Grit trying to get into the race (most likely at the expense of David O. Russell), they failed to get in here and with the DGA, so I’m guessing they may also miss out at the Oscars, though you never know with those two geniuses.

Who I Think Will Win

I really can’t see a scenario in which Fincher doesn’t leave with the Globe firmly in his hands.

Who I Would Give the Globe To

Again, I’m biased as hell because I think Black Swan was the best film of the year by a mile, so I’ll say Aronofsky. Though Fincher is equally deserving.

BEST SCREENPLAY – MOTION PICTURE

Nominees

  • Simon Beaufoy and Danny Boyle for 127 Hours
  • Christopher Nolan for Inception
  • Stuart Blumberg and Lisa Cholodenko for The Kids Are All Right
  • David Seidler for The King’s Speech
  • Aaron Sorkin for The Social Network

State of the Race

This one also isn’t that much of a race, it’s Aaron Sorkin’s to lose. And he just won’t.

Who I Think Will Win

Mr. Sorkin has this one in the bag.

Who I Would Give the Globe To

I’m a lover fast dialogue and witty remarks, and as such there’s no way I wouldn’t give it to Aaron Sorkin.

BEST ORIGINAL SCORE – MOTION PICTURE

Nominees

  • Alexandre Desplat for The King’s Speech
  • Danny Elfman for Alice in Wonderland
  • A.R. Rahman for 127 Hours
  • Trent Reznor and Atticus Ross for The Social Network
  • Hans Zimmer for Inception

State of the Race

This one’s a pretty damn competitive race. Desplat, Zimmer and the Reznor and Ross collaboration all seem to have pretty good odds to me.

Who I Think Will Win

Again, I could potentially see all three of the ones I named above coming out winners, but if I had to guess I’d say that Hans Zimmer is the most likely to win for his fantastic score for Inception and pick up his third career Globe.

Who I Would Give the Globe To

Personally the score I loved the most was the one Trent Reznor and Atticus Ross created for The Social Network, so that’s definitely my pick. Not only that, but seeing Trent Reznor win a Globe and make a speech would be the icing on the cake.

Now over to the TV categories—

BEST TELEVISION SERIES – DRAMA

Nominees

  • Boardwalk Empire
  • Dexter
  • The Good Wife
  • Mad Men
  • The Walking Dead

State of the Race

Two rookie series making the shortlist, with Boardwalk Empire being a predictable entry and The Walking Dead being a much more surprising freshman nominee. Good stuff.

Who I Think Will Win

Mad Men hasn’t lost this category before, and my guess is that they’ll make it four in a row here, as they rightfully should. Though I could actually see an upset at the hands of Boardwalk Empire happening.

Who I Would Give the Globe To

Out of the five nominees Mad Men to me is by far the best series, so I would give it to them, no doubt.

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA

Nominees

  • Julianna Marguiles for The Good Wife
  • Elisabeth Moss for Mad Men
  • Piper Perabo for Covert Affairs
  • Katey Sagal for Sons of Anarchy
  • Kyra Sedgwick for The Closer

State of the Race

The usual choices in Marguiles, Moss and Segdwick. And then we have two more surprising picks in Sagal and Perabo. I was extremely happy to see Sagal nominated, since I think she’s riveting in Sons of Anarchy. As for Ms. Perabo, on the other, I’m not entirely sure what the HFPA was thinking with that nomination. Granted, I’ve only seen two episodes of Covert Affairs in my life, but unless Ms. Perabo seriously stepped up her game on the ones I haven’t seen I can’t really get the nomination.

Who I Think Will Win

I could see Ms. Sedgwick winning this one, but my guess is that the HFPA will go with Julianna Marguiles for her fantastic work in The Good Wife.

Who I Would Give the Globe To

I’m a huge fan of The Good Wife, so for me it’s Julianna Marguiles for sure. Though Elisabeth Moss I’d like seeing winning this one, too.

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA

Nominees

  • Steve Buscemi for Boardwalk Empire
  • Bryan Cranston for Breaking Bad
  • Michael C. Hall for Dexter
  • Jon Hamm for Mad Men
  • Hugh Laurie for House

State of the Race

Very solid picks here, with Steve Buscemi breaking into the pack for his amazing job in Boardwalk Empire’s first season, and Bryan Cranston finally getting in for his masterful job in Breaking Bad.

Who I Think Will Win

Bryan Cranston hasn’t lost at the Emmy’s for his performance in Breaking Bad so far, winning three times in a row, and yet the Globes hadn’t even nominated before, which I’m taking as a sign that they don’t love him as much. And because of that I’ll go ahead and say that Jon Hamm will pick up his second Globe for portraying Don Draper come Sunday. Though an upset at the hands of Buscemi is something I could see happening.

Who I Would Give the Globe To

Were it up to me I would no doubt give it to Cranston, no other nominee comes close to his level of acting in Breaking Bad.

BEST TELEVISION SERIES – COMEDY OR MUSICAL

Nominees

  • 30 Rock
  • The Big Bang Theory
  • The Big C
  • Glee
  • Modern Family
  • Nurse Jackie

State of the Race

Usual suspects here, too. Though I thought it was nice to see The Big C break into the race (most likely at the expense of The Office), however, as we saw last year, this race will probably come down to a fight between the two sophomore series: Modern Family and last year’s winner, Glee.

Who I Think Will Win

They rewarded Glee last year for it’s breakout first season, and while it’s having a very strong sophomore showing I’m hoping the HFPA will be smarter this time around and give the trophy to Modern Family.

Who I Would Give the Globe To

I’d give it to Modern Family. I was kind pissed it didn’t win last year so this one would be deserving.

BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY OR MUSICAL

Nominees

  • Toni Collette for United State of Tara
  • Edie Falco for Nurse Jackie
  • Tiny Fey for 30 Rock
  • Laura Linney for The Big C
  • Lea Michele for Glee

State of the Race

Pretty predictable stuff here, with Laura Linney being the only newcomer in comparison to a year ago, replacing Cougar Town’s Courtney Cox. And to be honest, she’ll probably win it.

Who I Think Will Win

I loved Laura Linney in The Big C, I thought she did some really fine acting and the Globe should be hers, no problem.

Who I Would Give the Globe To

I’d get a knife and cut the Globe in two, give one half to Ms. Linney and the other to Ms. Fey.

BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL

Nominees

  • Alec Baldwin for 30 Rock
  • Steve Carell for The Office
  • Thomas Jane for Hung
  • Matthew Morrison for Glee
  • Jim Parsons for The Big Bang Theory

State of the Race

Compared to last year, David Duchovny was exchanged for Emmy-winner Jim Parsons. And that’s a good thing, considering I have a feeling that Mr. Parsons may just win the Globe, too.

Who I Think Will Win

As I just said, I’m guessing Mr. Parsons will follow his Emmy victory with a much deserved win at the Globes. But then again, you really can’t ever count Alec Baldwin out. And, to be honest, I could also see a Matthew Morrison victory here, though I really wouldn’t like that one bit.

Who I Would Give the Globe To

Jim Parsons all the way.

BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Nominees

  • Hope Davis for The Special Relationship
  • Jane Lynch for Glee
  • Kelly MacDonald for Boardwalk Empire
  • Julia Stiles for Dexter
  • Sofia Vergara for Modern Family

State of the Race

Good stuff all around here, a varied pool of nominees who all have done terrific jobs.

Who I Think Will Win

I guess it’s common knowledge that Jane Lynch will be the favorite to win this one so long as she’s playing Sue Sylvester. But I have a hunch that my personal favorite, Kelly MacDonald, may be able to pull off an upset.

Who I Would Give the Globe To

Kelly MacDonald. Steve Buscemi may get the beefiest scenes to showcase his talents in Boardwalk Empire, but Ms. MacDonald is as much of a reason for my continued viewing of the superb HBO series.

BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION

Nominees

  • Scott Cann for Hawaii Five-0
  • Chris Colfer for Glee
  • Chris Noth for The Good Wife
  • Eric Stonestreet for Modern Family
  • David Strathairn for Temple Grandin

State of the Race

There’s not a single repeat nominee from last year, in which John Lithgow won for his stellar turn in Dexter, so that’s pretty interesting. Kudos to the HFPA for rewarding Mr. Caan with a nod, he’s the main reason why the reinvented Hawaii Five-0 is so good right now.

Who I Think Will Win

I would think Chris Colfer has the better shot at the trophy here.

Who I Would Give the Globe To

I wouldn’t mind seeing Mr. Colfer pick up the Globe here, as he’s really terrific in his dramatic scenes on Glee. Though Eric Stonestreet would also be a very welcome winner.

And that’s it for my Globe predictions. I realize it’s a horrible lenghty post, and I’m fearing it’ll all look bad and too long when displayed in the site, but I just thought I’d share my thoughts before the ceremony on Sunday. Next year I’ll give the predictions in bits and pieces and not in just one 3750+ word entry.