Tag Archives: Pam Grier

Larry Crowne

14 Jul

Title: Larry Crowne
Year: 
2011
Director: 
Tom Hanks
Writers: Tom Hanks and Nia Vardalos
Starring: 
Tom Hanks, Julia Roberts, Cedric the Entertainer, Taraji P. Henson, Gugu Mbatha-Raw, Wilmer Valderrama, Bryan Cranston, Pam Grier, Rita Wilson, George Takei
MPAA Rating: 
PG-13, brief strong language and some sexual content
Runtime: 
98 min
Major Awards: –

IMDb Rating: 
5.9
Rotten Tomatoes: 
36%

 

I had heard some not great things about Larry Crowne before I watched it, and upon finally getting to watch it, I understand the complaints people were making. I mean, the film is truly flat and just way too ordinary and predictable, that I actually thought fell rather out of touch with the reality it was trying to touch upon. But, as those who have been reading my reviews for a while now might know, I was sort of predisposed to like this film because of the sheer fact that Julia Roberts stars in it. I have a thing for Ms. Roberts, I just think she’s the most talented/gorgeous/likable woman around, a true definition of a movie star who with her name alone can get me into the theater to see anything she’s in (I even gave last year’s Eat Pray Love a B+ mostly because it meant over two hours with her), so yeah, I was bound to like this one, too. Not to mention that Tom Hanks is her co-star here, and you just know these two are great friends and the chemistry comes incredibly easy because of that and it’s just truly terrific to watch.

I didn’t like this one as much as I did Eat Pray Love though, because this one had mistakes that were far harder to overlook no matter how great Ms. Roberts was. And Mr. Hanks, another true movie star, not only stars in this one, but also produces it, co-wrote it with Nia Vardalos and directed it, his second feature-length directorial effort after the terrific That Thing You Do! back in 1996. But not even with Mr. Hanks hand all over it, which is usually incredibly reliable, can Larry Crowne escape from some pretty discomforting levels of corniness at times, no matter how charming its two leads may be. Though I will say one thing for it, and its that in a summer full of 3D-infused and CGI-heavy movies, most of which are sequels or some part of a franchise, this was a grown-up movie made as counterprograming for that, and even though it hasn’t been doing all that well financially, it has at least offered a solid alternative for adults who don’t care for superheroes, battling robots or a teen wizard’s final stand.

Ultimately the thing about Larry Crowne that prevents it from being great is that no matter how great its leads may be, and fun the premise seem, it’s a film that has little reason for existing because it’s just so bland and totally well-behaved that it really doesn’t do much else except just be there. And it gets to the point in which your level of caring for the film will be totally decided by just how much you like these two terrific actors and just how much you can appreciate the fact that a film starring two movie stars of their caliber in a grown-up story is a pretty damn rare thing nowadays. I fortunately love these two, and I really appreciated the fact that two over-40 stars were given the chance at a human story in which they got to more or less act their age, so I liked the film just because of that. Which says both a lot about Ms. Roberts and Mr. Hanks and not much about the film itself.

And it’s a good thing that the script doesn’t make these two characters the typical clichés of adults who are on the middle of the midlife crisis and totally hellbent on having fun before it’s too late. We get Larry, the title character Mr. Hanks plays, being fired from his job at a supermarket chain because he doesn’t have a college degree, and thus being jobless, divorced and with a considerable mortgage to pay. Ms. Roberts is Mercedes, a bitter woman in a very unhappy marriage who also happens to teach a course at a community college in which Larry enrolls to finally get the degree that cost him his job. You can predict easily enough how that evolves, at first she’ll hate this new student, but then in the second act she’ll begin to soften up for him and we’ll get the Julia Roberts we all know and love.

And while there certainly are a couple of timely and deep subjects here, like the nature of Mercedes’ horrible marriage, or the huge impact the massive levels of unemployment are having on the middle class, Larry Crowne only glances at them, and never really delves into far more complex ground, instead having fun just watching Tom Hanks attend college and having Julia Roberts ride behind him on a motor scooter. And that’s the thing that made this film totally squander its promise, the fact that it goes ahead and mindlessly avoids the harsh realities which it brings up in order to spend time addressing the superficial and cutesy moments we’ve seen too much of.

I will go ahead and give Larry Crowne a grade that suggests I recommend it, because I do, these are still Julia Roberts and Tom Hanks we’re talking about here and their likability alone will make the less than 100 minutes of this film go by rather quickly. But it’s totally discouraging that this two living legends paired up to give us a film in which the screenplay offered no real sense of conflict and just went by delivering schmaltzy routines that obviously play well to the ginormous levels of charm these two have, and it just lets us see the surface of the crisis of their characters and not the depths of them. But then again, there’s that Julia Roberts smile and everything is okay again.

Grade: B-

Just Wright

16 Jul

Title: Just Wright
Year: 2010
Director: Sanaa Hamri
Writer: Michael Elliot
Starring: Queen Latifah, Common, Mehcad Brooks, Pam Grier, Paula Patton and a bunch of NBA players
MPAA Rating: PG, some suggestive material and brief language
Runtime: 100 min
Major Awards:
IMDb Rating: 3.6
Rotten Tomatoes: 49%

This was made with all the right intentions possibly, and Queen Latifah and Common are likable as hell and fresh as leads, but unfortunately that’s the only thing fresh about this film, which otherwise is just an accumulation of clichés in a more than over-done story, however, that being said I will have to admit that I ended up liking it. Common, I think, isn’t as natural an actor as Latifah and his musician-to-actor transition hasn’t been as smooth, but the fact that he is quite likable makes him quite okay for a film like this, and formulaic or not, I ended up enjoying it much more than I thought I would.

Queen Latifah is the reason this film worked for me, I’ve always liked her because she’s always fun and just plain cool, I like those qualities in her, she’s a cool woman and she’s in control of herself in a way that’s great to see, especially because in a film like this you need at least one of your leads to command attention and own the frame like she can.

The story is one we’ve heard many times before in many different ways, and it’s the one of a guy that is about to marry the more obviously beautiful woman in the equation, which in this one would be Morgan, the Paula Patton character, but then something happens that gets him spending more time with Morgan’s best friend, which would be the Queen Latifah role. In this precise story the thing goes like this: Common is a pro basketball player, he is dating Morgan who just wants to be a player’s wife but then he gets seriously injured and decides to get Morgan’s best friend who’s a physical therapist to move into his place to help him fight it off. We all know how these stories end by now, all we want now is just to have good actors and fresh surroundings and context to see it develop.

What’s good in Just Wright is how the director handles this known-all-too-well formula, because what she does is give it time to do the building up, sure we all know how it’s gonna go and end, but instead of just giving us that we take our time exploring the characters, and as I said, this works well because we have Queen Latifah who’s fun at this, and even though Common doesn’t necessarily excel he does have chemistry with her, and that’s all we need from him to have his character work. This is a good film because it doesn’t do love-at-first-sight but instead just does love-as-it-really-happens, and with two refreshing leads it makes a formulaic rom-com work, and that’s rare nowadays.

Grade: B-