Tag Archives: The Social Network

Oscar Predictions: Best Picture and Director

25 Feb

This is the last of my Oscar Predictions posts, in which I tackle the two main races: Best Director and, of course, Best Picture. These two races will see Sunday’s two main players pitted against each other, with The Social Network and The King’s Speech considered the front-runners for both categories.

Most are saying they will split the two, with the British biopic getting the big one, and David Fincher nabbing the Best Director statue for his work on the Facebook film. Some are saying The King’s Speech will get both, some say the same of The Social Network, so yes, there’s a nice variety of ways these two races could go. Read on through for my opinions.

BEST PICTURE

Nominees

  • Black Swan (Mike Medavoy, Brian Oliver and Scott Franklin)
  • The Fighter (David Hoberman, Todd Lieberman and Mark Wahlberg)
  • Inception (Emma Thomas and Christopher Nolan)
  • The Kids Are All Right (Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray)
  • The King’s Speech (Iain Canning, Emile Sherman and Gareth Unwin)
  • 127 Hours (Christian Colson, Danny Boyle and John Smithson)
  • The Social Network (Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin)
  • Toy Story 3 (Darla K. Anderson)
  • True Grit (Scott Rudin, Ethan Coen and Joel Coen)
  • Winter’s Bone (Anne Rosselini and Alix Madigan-Yorkin)

So, The King’s Speech or The Social Network? How this race has evolved has been the highlight of the 2010 awards season to me, The Social Network seemed unstoppable early on, winning every critic’s group award, the Golden Globe, nothing seemed to stand in its way to get the big one come Oscar night.

But then Harvey Weinstein came up with The King’s Speech and that one started killing it, winning the PGA, DGA, SAG, BAFTA, pretty much every single big award it could after that initial Social Network streak, and it’s now considered the clear front-runner.

This is obviously a question of new versus old. The tough, gritty, relevant and modern The Social Network, acted out by up-and-coming actors, a film in which there’s really no hero, no one to root for. And it’s standing against The King’s Speech, the sort of movie Oscar used to love, a biopic about the British monarchy, made by many veteran actors and which definitely tugs at the voters heartstrings with the warm relationship and message at the heart of the film.

My personal pick is actually Black Swan, but amongst these two I love The Social Network the most, I mean, to base a film on Facebook is daring enough, but to have the end product by this masterful, no one really saw that coming.

I’m gonna go and say The King’s Speech will win this one because it seems like it will, even though The Social Network is the better film. But don’t write out The Social Network just yet, it may seem like it’s all said and done, but a last minute revival may occur.

Should Win: Black Swan
Will Win: The King’s Speech

BEST DIRECTOR

Nominees

  • Darren Aronofsky (for Black Swan)
  • Joel Coen & Ethan Coen (for True Grit)
  • David Fincher (for The Social Network)
  • Tom Hooper (for The King’s Speech)
  • David O. Russell (for The Fighter

In my mind there should be a tie between Darren Aronofsky and David Fincher, the two are masters of their craft, and yeah, they should split the golden man up between the two.

But in all honesty, this one’s David Fincher’s. Even if The King’s Speech sweeps the night I think this one will still go to The Social Network. I mean, if a film about a social networking site and the story behind it was as compelling and intriguing and plain out entertaining as this was it’s because of how this man handled the material, sheer perfection.

Should Win: Darren Aronofsky/David Fincher
Will Win: David Fincher

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Oscar Predictions: Best Leading Actor and Actress

24 Feb

In my second to last Oscar Predictions post I will tackle both Lead acting races, both of which are pretty much considered locks by most, but one of which really isn’t.

BEST LEAD ACTOR

Nominees

  • Javier Bardem (for Biutiful)
  • Jeff Bridges (for True Grit)
  • Jesse Eisenberg (for The Social Network)
  • Colin Firth (for The King’s Speech)
  • James Franco (for 127 Hours)

In case you were wondering, this is that one that actually is a mortal lock. There’s absolutely no way in hell Colin Firth will not walk away from the Nokia Theater without the golden man firmly in his hands. He gives a masterclass in acting in The King’s Speech, not to mention he’s coming off his other Oscar-noinated stellar performance in A Single Man last year.

Should Win: Colin Firth
Will Win: Colin Firth

BEST LEAD ACTRESS

Nominees

  • Annette Bening (for The Kids Are All Right)
  • Nicole Kidman (for Rabbit Hole)
  • Jennifer Lawrence (for Winter’s Bone)
  • Natalie Portman (for Black Swan)
  • Michelle Williams (for Blue Valentine)

These are actually my Top 5 performance by any actress in a leading role in all of 2010, so I was specifically happy about this bunch of nominees. But this is the category which I think isn’t as clear-cut as most are assuming.

Yes, Natalie Portman has swept through the precursors, and her performance, to me, is certainly the best in this group and should most certainly earn her her first Academy Award (she was previously nominated for her supporting turn in Closer).

But then there’s Annette Bening. This woman is heavily involved in the Academy, absolutely loved and revered by everyone in the business, as she should be because she’s one seriously awesome lady, and has already lost three times before (twice to Hilary Swank, one of those, to me, quite unjustly), so the Academy may feel like she’s due (and she honestly is) and give her the award, even if her performance, stunning as it may be, isn’t as great as Portman’s.

So yes, I’m saying Portman for now. Not because she has won all the other awards, just because I liked her performance better. But maybe Annette Bening will pull off the upset, I mean, just look at her face during the scene at dinner in Paul’s house and it’s tough to argue against giving her the golden man.

Should Win: Natalie Portman
Will Win: Natalie Portman

Oscar Predictions: Best Original and Adapted Screenplays

24 Feb

In my seventh Oscar Predictions post I will examine the state of both writing races, the Best Original Screenplay and Best Adapted Screenplay ones, who seem to both have pretty clear-cut winners already.

BEST ADAPTED SCREENPLAY

Nominees

  • 127 Hours (Danny Boyle and Simon Beaufoy)
  • The Social Network (Aaron Sorkin)
  • Toy Story 3 (Michael Arndt)
  • True Grit (Joel Coen and Ethan Coen)
  • Winter’s Bone (Debra Granik and Anne Rosellini)

Any other year and Toy Story 3 would have had a really solid chance, and it really would have been nice to see an animated film be the winner of a screenplay category, but the script Aaron Sorkin penned for The Social Network is shoulders above anything in contention this year, and there’s no way it’s losing this one.

Should Win: The Social Network
Will Win: The Social Network

BEST ORIGINAL SCREENPLAY

Nominees

  • Another Year (Mike Leigh)
  • The Fighter (Scott Silver, Paul Tamasy and Eric Johnson)
  • Inception (Christopher Nolan)
  • The Kids Are All Right (Lisa Cholodenko and Stuart Blumberg)
  • The King’s Speech (David Seidler)

This category is full of exemplary screenplays, even though it’s insane to me that the Black Swan screenplay wasn’t nominated. The King’s Speech is all but guaranteed to take this one, but boy would I really love an upset at the hands of Lisa Cholodenko and Stuart Blumberg.

Should Win: The Kids Are All Right
Will Win: The King’s Speech

Oscar Predictions: Cinematography and Editing

24 Feb

In my fifth Oscar Predictions post I will tackle two of my favorite categories, those honoring achievement in Cinematography and Editing. The candidates for both of these awards this year are pretty damn strong, and the race will be pretty interesting to watch unravel.

BEST CINEMATOGRAPHY

Nominees

  • Black Swan (Matthew Libatique)
  • Inception (Wally Pfister)
  • The King’s Speech (Danny Cohen)
  • The Social Network (Jeff Cronenweth)
  • True Grit (Roger Deakins)

This will most likely go to the master that is Roger Deakins, who has had eight other nominations previously (4 of those for some of his other collaborations with the Coen brothers), and yet has never won. The look he achieved in True Grit is rather breathtaking and really sets the tone for the amazing film that was True Grit, it’ll be a well deserved win.

My personal vote, however, would no doubt go to Matthew Libatique, the first-time nominee who worked on Black Swan, 2010’s best film. The stuff he did in this film is really stunning, creating scenes of ballet and making them feel not only technically outstanding, but also conveying some really deep feelings with how he showed those dances, truly spectacular work.

Should Win: Black Swan
Will Win: True Grit

BEST EDITING

Nominees

  • Black Swan (Andrew Weisblum)
  • The Fighter (Pamela Martin)
  • The King’s Speech (Tariq Anwar)
  • 127 Hours (Jon Harris)
  • The Social Network (Angus Wall and Kirk Baxter)

This should be one of The Social Network‘s big wins on Sunday, the editing of this film is truly amazing, and is definitely a big part of why this film ended up being so perfect, the way the scenes of just computer programming were cut, making them seem more entertaining than a car chase, or just the scenes of the characters delivering their very fast and witty Aaron Sorkin-penned lines was just incredible. So yes, unless there’s no justice in this world this should be a very deserved win for Angus Wall and Kirk Baxter, who were both previously nominated two years ago for their work on The Curious Case of Benjamin Button, another David Fincher film.

Should Win: The Social Network
Will Win: The Social Network

Oscar Predictions: Original Song and Score

24 Feb

In my fourth Oscar Predictions post we will take a look at both of the musical categories, those for Best Original Song and Best Original Score.

BEST ORIGINAL SONG

Nominees

  • “Coming Home” from Country Strong (Music and Lyric by Tom Douglas, Troy Verges and Hillary Lindsey)
  • “I See the Light” from Tangled (Music by Alan Menken; Lyric by Glenn Slater)
  • “If I Rise” from 127 Hours (Music by A.R. Rahman; Lyric by Dido and Rollo Armstrong)
  • “We Belong Together” from Toy Story 3 (Music and Lyric by Randy Newman)

My personal pick here would by the Country Strong song, if only because I’m pretty much in love with Gwyneth Paltrow and her voice. However, the race here is probably between “If I Rise” or “We Belong Together”.

A.R. Rahman won both Original Song and Original Score when he was nominated two years ago for his other collaboration on a Danny Boyle film with Slumdog Millionaire, and while the song is fantastic, and features pretty good vocals by Dido (though on the televised broadcast her part will be sung by the even more awesome Florence Welch), my hunch is that the Academy will go with Randy Newman’s tune, who has been nominated 20 times but won only once.

Should Win: Country Strong
Will Win: Toy Story 3

BEST ORIGINAL SCORE

Nominees

  • How to Train Your Dragon (John Powell)
  • Inception (Hans Zimmer)
  • The King’s Speech (Alexandre Desplat)
  • 127 Hours (A.R. Rahman)
  • The Social Network (Trent Reznor and Atticus Ross)

All five nominees here did superb work that was really felt in their films and that elevated their overall quality. However, this category is one of those battles between The King’s Speech and The Social Network. Even though I can see why the Academy may want to reward Alexandre Desplat, who’s competing on his fourth nomination with no prior wins, and who really communicated the unspoken emotions of the King with his beautiful score I think, and really hope, they will go on the other direction.

Atticus Ross and NIN mastermind Trent Reznor should win for the mesmerizing score they created for David Fincher’s latest. It’s their music, I think, that had the biggest impact on any film this year, how those very unique and different sounds punctuated every bit of action on-screen was truly spectacular, and even if Sunday turns into a sweep by The King’s Speech I think they should walk away with this one.

Should Win: The Social Network
Will Win: The Social Network

Oscar Predictions: Sound Mixing and Editing

23 Feb

In my second Oscar Prediction post I will tackle both Sound categories, the Mixing and Editing ones, both of which, I believe, are all but sewn up by a certain mind-bending summer blockbuster.

BEST SOUND MIXING

Nominees

  • Inception (Lora Hirschberg, Gary A. Rizzo and Ed Novick)
  • The King’s Speech (Paul Hamblin, Martin Jensen and John Midgley)
  • Salt (Jeffrey J. Haboush, Greg P. Russell, Scott Millan and William Sarokin)
  • The Social Network (Ren Klyce, David Parker, Michael Semanick and Mark Weingarten)
  • True Grit (Skip Lievsay, Craig Berkey, Greg Orloff and Peter F. Kurland)

I honestly cannot see how Inception could lose this one, the work done here, done by the same trio that was nominated for working on The Dark Knight, is just mesmerizing, mixing the sound of three very intricate dream levels and music and a huge amount of elements, it’s all seriously great stuff.

However, if an upset were to somehow occur, I could only comprehend it being at the hands of the team that worked on The Social Network, that film was extremely dialogue-driven and the mixing of it, with many times the dialogue overlapping and with the background noises blending in, was superbly done. The group of four who worked on this one was the same which was nominated before for David Fincher’s previous movie, The Curious Case of Benjamin Button, and two of them already have two Oscars (David Parker won for The Bourne Ultimatum and The English Patient, while Michael Semanick won for King Kong and The Lord of the Rings: The Return of the King).

Should Win: Inception
Will Win: Inception

BEST SOUND EDITING

Nominees

  • Inception (Richard King)
  • Toy Story 3 (Tom Myers and Michael Silvers)
  • TRON: Legacy (Gwendolyn Yates Whittle and Addison Teague)
  • True Grit (Skip Lievsay and Craig Berkey)
  • Unstoppable (Mark P. Stoeckinger)

Don’t expect this award to go to anyone else other than to Inception‘s Richard King, who already won twice before, in 2008 for The Dark Knight and in 2003 for Master and Commander: The Far Side of the World. The work he does here is sublime, coming up with a really neat sound difference between the dream and waking worlds.

Should Win: Inception
Will Win: Inception

Oscar Nominations: My Reactions

25 Jan

The Oscar nominations were announced bright and early this morning. And while most of the nominees were predictable, there were still quite a bit of storylines to take out of the morning’s announcements.

Firstly, of course, the outrageous snub of Christopher Nolan in the Best Director category, Inception might have made the Best Picture ballot and Mr. Nolan himself got his second career Screenplay nod, but the Academy yet again failed to mention him for Best Director to make room for the Coen brothers. Another snub was The Town, which ended up with a sole Oscar nomination and got snubbed in the Best Picture as well as Director and Screenplay races, the films nominated instead were still quite deserving, but still, too little love bestowed on such a great film.

Then, on a far more positive note, this was also the year in which films that came out of Sundance came out strong at the Oscars, which is terrific news for the independent film business, The Kids Are All Right and Winter’s Bone both got 4 nominations in major races, Animal Kingdom got a Best Supporting Actress bid, and four out of the five Best Documentary nominees were shown in Park City a year ago.

As for what the nominations will mean come the big night on February 27th, well, The King’s Speech certainly got a huge boost today, scoring an even dozen nominations, the most out of any film this year. That has some people jumping from The Social Network‘s bandwagon into the one driven by Harvey Weinstein, since for the last several decades the movie with the most nominations has won the Best Picture race 75% of the time. Now, let’s play statistics for a while here, I actually still think The Social Network will still win this for now, but the stock on The King’s Speech has certainly risen in the last few weeks. First, of course, was Saturday’s PGA win, and considering that association has bestowed its award to the eventual Best Picture winner 13 out of the last 20 years it means it has the odds going for it.

But then again, lets not forget just how much The Social Network has going for itself, it pretty much swooped the Critic’s groups awards, including big wins at the Globes and the National Board of Review. Not to mention that David Fincher is the clear front-runner to win not only the Best Director Oscar, but the DGA honors that will be announced on Saturday. And really, the Best Director winner is always considered the likely victor of the big race and, in fact, the winner of the DGA award has actually went on to have their film win the Best Picture Oscar 33 times in the last 40 years.

So, who really has the advantage? I honestly don’t know, this really is one seriously tough race to call, and I won’t call it until all the remained precursors are done with. Yes, the DGA will most likely go to The Social Network, but then the BAFTAs will presumably be all over The King’s Speech considering it’s a home-grown film. The PGA win by Tom Hooper’s film was big, yes, but so were the many Critic’s Associations and Globes wins by David Fincher’s movie. So, if I may interject, I think that the one awards show that may be a big indicator as to what will happen on Oscar night will be the SAGs, taking place this coming Sunday.

Hear me out for a while, the SAG obviously doesn’t have a Best Picture award, but rather a Best Ensemble one, meaning it will honor the combined acting performances of the cast in a film. And while I still think that the front-runner for that one is The Fighter (which has four seriously spectacular performances), I can see an upset happening courtesy of The King’s Speech. The Social Network won’t win that one, it has some great performances but it can’t compete acting-wise with those two other films, so that race will be the one to prove just how much support The King’s Speech has. And if it wins that one, then I probably will update my predictions and consider it the front-runner for the Oscar, because, remember, the SAGs have many times served as indicators of Oscar upsets, I’m obviously referring to 1998, when the SAG went to Shakespeare in Love, the same film that went on to win the Best Picture Oscar over the clear favorite, Saving Private Ryan, and most recently in 2005, when Crash ended up with the SAG win and ended up upsetting Brokeback Mountain for the Academy’s top honor.

So yes, this will be a Best Picture race for the ages, one I’m really excited for and one that will come down to the very end. Will The King’s Speech end up with the win? Consolidating itself as the biggest Oscar bait there ever was in 2010, a biopic about British monarchy counting with excellent performances all around and a spectacular director working form a brilliant script. Or, will The Social Network prevail? The film with very young up-and-coming actors, directed by a director that started out working on music videos and then went on to create some of the most masterful and popular films of the last decade and a half, one about a modern phenomenon and full of quick-witted, very fast and talkative scenes. It will be a New School vs. Old School battle to the very end, the historical dramas have fared very well in the past, I’m thinking Gandhi or The English Patient, but as of late, with winners like The Hurt Locker and No Country for Old Men, it feels as though the Academy is skewing more towards films oriented to younger audiences with a more gritty sort of feel. We’re in for one very entertaining race to the finish line.

But enough about the big race, I’m sure we’ll talk much more about that in the near future, but for now let us revise all the nominations announced by the Academy today.

BEST PICTURE

  • 127 Hours
  • Black Swan
  • The Fighter
  • Inception
  • The Kids Are All Right
  • The King’s Speech
  • The Social Network
  • Toy Story 3
  • True Grit
  • Winter’s Bone

All the usual suspects here. I went 9 for 10 as far as my predictions go, considering Winter’s Bone felt the love from the Academy big time today and crept into the big party, throwing out my original prediction for the tenth slot: The Town. Again, as for who will actually win it, I have no idea, it’s a big split between The Social Network and The King’s Speech, and we’ll have a clearer idea of the state of the race once the remaining precursors are all said and done.

BEST DIRECTOR

  • Darren Aronofsky (for Black Swan)
  • Ethan Coen and Joel Coen (for True Grit)
  • David Fincher (for The Social Network)
  • Tom Hooper (for The King’s Speech)
  • David O. Russell (for The Fighter)

I went 4 for 5 in this one, considering I predicted the horribly snubbed Christopher Nolan to be invited to the party instead of the Coen brothers. However, True Grit got a massive ten nominations and the love went to the genius brothers instead. Which was well deserved, but it’s ridiculous that Nolan doesn’t have a Best Director nomination to his name yet. However, massive kudos to Darren Aronofsky for finally getting his first career nomination for helming what to me was the best film of 2010.

BEST LEAD ACTOR

  • Javier Bardem (for Biutiful)
  • Jeff Bridges (for True Grit)
  • Jesse Eisenberg (for The Social Network)
  • Colin Firth (for The King’s Speech)
  • James Franco (for 127 Hours)

Went a perfect 5-for-5 in this race, correctly predicting Javier Bardem’s nomination over Get Low‘s Robert Duvall. Still, Bardem’s nomination was much deserved, and it was awesome to see a foreign language performance getting a nod here. However, this has never been a race, the golden man probably has Colin Firth’s name engraved from this very moment.

BEST LEAD ACTRESS

  • Annette Bening (for The Kids Are All Right)
  • Nicole Kidman (for Rabbit Hole)
  • Jennifer Lawrence (for Winter’s Bone)
  • Natalie Portman (for Black Swan)
  • Michelle Williams (for Blue Valentine)

Another category in which I went 5-for-5 in my predictions. And it really is a lovely bunch of ladies getting nominated here, Michelle Williams got her extremely deserved nomination for her beautiful work in Blue Valentine and Jennifer Lawrence capped off her breakthrough year with an invite to Hollywood’s biggest party. This is, though, still a Portman vs. Bening battle, and even though I think Portman has the edge because hers was the better performance in the better film, I’ll wait until the SAGs are done on Sunday to call her a lock.

BEST SUPPORTING ACTOR

  • Christian Bale (for The Fighter)
  • John Hawkes (for Winter’s Bone)
  • Jeremy Renner (for The Town)
  • Mark Ruffalo (for The Kids Are All Right)
  • Geoffrey Rush (for The King’s Speech)

I predicted four out of the five here, the one I got wrong was Andrew Garfield who I thought would firmly land a nod but was bumped off by John Hawkes who was riding on the huge love given to Winter’s Bone here. Still, this is no contest, it’s Bale’s to lose, and he just won’t.

BEST SUPPORTING ACTRESS

  • Amy Adams (for The Fighter)
  • Helena Bonham Carter (for The King’s Speech)
  • Melissa Leo (for The Fighter)
  • Hailee Steinfeld (for True Grit)
  • Jacki Weaver (for Animal Kingdom)

I’ve always said this was my favorite race of the year, and even though my personal #2 pick, Mila Kunis, was left out, it really still is. I said that if Hailee Steinfeld remained here and wasn’t voted as Lead, then either Ms. Kunis or Jacki Weaver would get the boot, I picked Kunis in my predictions but apparently the Academy really loved the Australian crime saga and wanted to give it a nod, as they should have, really. Still, this is the best race there can be this year, considering I could see any of these ladies potentially winning. Amy Adams was my personal favorite of the year, and she gives her best performance yet, and considering it’s her third nomination they may (and hopefully will!) give it to her. Helena Bonham Carter may find herself winning if The King’s Speech sweeps. Melissa Leo is the current favorite, and if she wins the SAG on Sunday then this will be hers. Hailee Steinfeld carries True Grit and the voters may like to reward a young one. And Jacki Weaver created one seriously compelling character here, though considering she missed out at the SAG I think she’s the less likely to end up winning.

BEST ORIGINAL SCREENPLAY

  • Another Year (written by Mike Leigh)
  • The Fighter (written by Scott Silver, Paul Tamasy and Eric Johnson)
  • Inception (written by Christopher Nolan)
  • The Kids Are All Right (written by Lisa Cholodenko and Stuart Blumberg)
  • The King’s Speech (written by David Seidler)

I went 4 for 5 in this one, and the one I missed was the one that pains me the most not to see here which was the beautiful Black Swan screenplay, which I had in favor of Another Year, but I guess you can never count Mike Leigh out of this race, he’s just that good. As for who will win it, I would very much like to see The Kids Are All Right pick this one up, or if not then Christopher Nolan as a sort of apology from the Academy for not even nominating him for Best Director. But, most likely, this one will end up firmly in the hands of David Seidler.

BEST ADAPTED SCREENPLAY

  • 127 Hours (written by Danny Boyle and Simon Beaufoy, based on the book by Aron Ralston)
  • The Social Network (written by Aaron Sorkin, based on the book by Ben Mezrich)
  • Toy Story 3 (written by Michael Arndt, based on the story by John Lasseter, Andrew Stanton and Lee Unkrich)
  • True Grit (written by Ethan Coen and Joel Coen, based on the novel by Charles Portis)
  • Winter’s Bone (written by Debra Granik and Anne Rosellini, based on the novel by Daniel Woodrell)

As I said in my predictions, Winter’s Bone was going to put up a fight to be honored in this category. In my predictions I had The Town listed instead of Debra Granik’s film, but, as I’ve already said, the Academy shout-out the Ben Affleck film outside of Jeremy Renner’s nod, so no love here either. I like Debra Granik’s script better though (had it 6th in my Best Screenplays of 2010 list, while The Town was 15th), so I’m happy about it. Still, there’s no way Aaron Sorkin is losing this one, but then again I said the same thing about Jason Reitman and Sheldon Turner’s script for Up in the Air last year.

BEST ART DIRECTION

  • Alice in Wonderland
  • Harry Potter and the Deathly Hallows: Part I
  • Inception
  • True Grit
  • The King’s Speech

Very very good bunch of nominees here, the only film I could have seen making the cut and still be happy about it would have been Shutter Island, but nevertheless, this will be a very cool race. I’m hoping Inception will prevail here, though Alice in Wonderland may have something to say about that and, if it turns out to be a sweep, so may The King’s Speech.

BEST CINEMATOGRAPHY

  • Black Swan
  • Inception
  • The King’s Speech
  • The Social Network
  • True Grit

If I would have to guess, I’d say True Grit will win this one. However, it was amazing to see Black Swan get listed here, though I would have liked to see The King’s Speech miss out on this race in favor of the wonderful job by the 127 Hours guys.

BEST COSTUME DESIGN

  • Alice in Wonderland
  • Io Sono l’Amore
  • The King’s Speech
  • The Tempest
  • True Grit

As I said in my review for The Tempest, you can never count any Julie Taymor film out of the Best Costume Design race (all four of her films have now been nominated), but still, this one will most likely go to Alice in Wonderland. Cool to see Io Sono l’Amore get a nod here, too.

BEST EDITING

  • 127 Hours
  • Black Swan
  • The Fighter
  • The King’s Speech
  • The Social Network

Out of the technical categories, Best Editing is the one that foretells the Best Picture winner the most, so this one is one we should pay close attention to. Since the award was introduced nearly eight decades ago, only nine films have won Best Picture without being nominated here. Which I guess also goes to explain why Crash trumped over Brokeback Mountain. But still, the two Best Picture front-runners are here, so seeing who wins may be decisive as to who takes Best Picture. My vote goes to The Social Network here, and I still can’t fathom why Inception wasn’t named.

BEST MAKEUP

  • Barney’s Version
  • The Way Back
  • The Wolfman

They failed to recognize Alice in Wonderland in this one somehow, so I’m guessing this one’s definitely The Wolfman‘s.

BEST ORIGINAL SCORE

  • 127 Hours (composed by A.R. Rahman)
  • Inception (composed by Hans Zimmer)
  • The Social Network (composed by Trent Reznor and Atticus Ross)
  • The King’s Speech (composed by Alexandre Desplat)
  • How to Train Your Dragon (composed by John Powell)

Usual suspects in this one. Awesome to see Reznor and Ross up for this one, and they’re definitely my favorites to end up picking the award. However, Alexandre Desplat gets his fourth nomination with this one and still hasn’t won, so if The King’s Speech ends up owning the show he could win. However, Hans Zimmer’s score for Inception, which is all sorts of mind-blowing, may end up getting the win if the Academy feels it didn’t bestow enough nominations love towards the film, he hasn’t won an Oscar since The Lion King in 1995, despite being nominated 6 additional times since.

BEST SONG

  • If I Rise (from 127 Hours)
  • Coming Home (from Country Strong)
  • I See the Light (from Tangled)
  • We Belong Together (from Toy Story 3)

I honestly don’t know who will end up with the win here. All I know is that I’m happy no songs from Burlesque were named here.

BEST SOUND

  • Inception
  • The King’s Speech
  • Salt
  • The Social Network
  • True Grit

This is the one category that had most prediction experts baffled. Everyone predicted a maximum of 11 nominations for The King’s Speech, and this is the one nobody imagined, and the one that showed us just how much the Academy loved the film. As strange as it may sound, a Sound nomination is what really let us know that it was the front-runner.

BEST SOUND EDITING

  • Inception
  • Toy Story 3
  • TRON: Legacy
  • True Grit
  • Unstoppable

I really liked seeing TRON: Legacy here, and I was sure that The Social Network would get a nod here, but out of nowhere came Unstoppable and made the cut. Still, a cool and eclectic bunch.

BEST VISUAL EFFECTS

  • Alice in Wonderland
  • Harry Potter and the Deathly Hallows: Part I
  • Hereafter
  • Inception
  • Iron Man 2

I expected TRON: Legacy to make the cut here, but at least it got a Sound Editing nod so it didn’t go unmentioned. Still, if Inception loses this race the Oscars will have lost all credibility to me.

BEST FOREIGN LANGUAGE FILM

  • Biutiful (from Mexico)
  • Dogtooth (from Greece)
  • In a Better World (from Denmark)
  • Incendies (from Canada)
  • Outside the Law (from Algeria)

This one’s always very tough to predict. But hopefully Biutiful will end up with the trophy.

BEST ANIMATED FEATURE FILM

  • How to Train Your Dragon
  • L’Illusionniste
  • Toy Story 3

This one isn’t a race at all, Toy Story 3 will win this one hands down.

BEST DOCUMENTARY

  • Exit Through the Gift Shop
  • Inside Job
  • Gasland
  • Waste Land
  • Restrepo

No Waiting for Superman? Yeah, very very weird. Same with the lack of Client 9: The Rise and Fall of Eliot Spitzer. Still Inside Job would be a very cool winner, as would be Exit Through the Gift Shop, especially if we somehow get a Banksy appearance.